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  • #m/m romance #gay romance #short stories #original fiction #q'd
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tacoposey:

at work i have to answer the phone, “this is shield special agent madison reporting from the disney store, how can i help you?”

and i’ve gotten three guests immediately respond back with “hail hydra.”

oh lord

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  • #Bucky #Steve #captain america #brb sobbing #q'd
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The funny thing is I didn’t grow up with comic books. I grew up with Communism. I was born in Romania and lived there till I was 8 and then I lived in Vienna for a while. Although I was very young, I do remember that we weren’t allowed to leave the country. So after the revolution, people wanted to escape and find a new way of life. It’s that element of being trapped into something—of a lack of freedom. I always thought for me with Bucky, because of how he grew up in the military and his dad dying in an accident on a military base. His last image of Bucky is, “You’re my descendant.” I think there is this enormous amount of weight on him to be something when he’s never had a chance to go, “What do I really want?” I wanted to bring that—I hope that was being translated.

-Sebastian Stan (via magnetsbitches)
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thecrashcourse:

Reader, it’s Jane Eyre - Crash Course Literature 207

In which John Green teaches you about Charlotte Brontë’s classic coming of age novel, Jane Eyre. Look, we don’t like to make judgement values here, but Jane Eyre is awesome. By which we mean the book is great, and the character is amazing. When Jane Eyre was published in 1847, it was a huge hit. It really hit the controversial balance beautifully, being edgy enough to make news, but still mainstream enough to be widely popular. It was sort of like the Fight Club of it’s day, but not quite as testosterone-fueled. You’ll learn a little about the story, learn about Jane as a feminist heroine, and even get some critical analysis on how Bertha might just be a dark mirror that acts out Jane’s emotional reactions.

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  • #jane eyre #charlotte bronte #this is my favorite novel #i've read it at least once a year since i was twelve #q'd
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People don’t like her because it’s the making of her, right now. When she, sometime soon in the future, becomes this person that she’s been kind of building up to, for the past three seasons, now four, then people will really begin to root for her. I think even the audience doesn’t realize she’s such a dark horse. If she acted badass and tried to kill everyone there, she would be dead by now! She’s so intelligent, and I can’t stress that enough. Courtesy is a lady’s armor. She’s using her courtesy to deceive people, and she’s using her former self as a facade, and it works so much to her advantage, because people still think she’s this naive, vulnerable, little girl, and she’s really not. She knows exactly what she’s doing. She knows what game she’s playing! And no one else does. And she’s learned from the best — Cersei, Margaery, Tyrion, Littlefinger, even Joffrey. She’s learned so much from these people, and they don’t even realize it. They’re unwittingly feeding her to become this great kind of manipulator. King’s Landing can either make or break a person, and in Sansa’s case, it’s making her.

Sophie Turner, in response to Sansa hate (x)
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shinykaito:

Okay but Never Gonna Give You Up (better known as Rickroll) is actually a really really horrible song for many reasons, which I will better explain under the cut. 

Brace yourselves, this is pretty long.

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